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A Beginner's Guide to using visual image in primary schools
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content and links may be outdated.
The employment of the visual image is a fascinating and exciting way to enable children to gain a glimpse into the past. It is problematic, however, in that such imagery is often an...
A Beginner's Guide to using visual image in primary schools
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Using the back cover image: Windmill Hill
Primary History feature
The back cover image is a reconstruction of prehistoric life based on the English Heritage site Windmill Hill. Such images are of great value to the teacher in bringing the distant past to life, and in deepening pupil understanding of its historical significance. Using these sorts of illustrations can help...
Using the back cover image: Windmill Hill
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How can old advertisements be used in the primary classroom?
Primary History article
Advertising is a central part of our everyday lives. There are few ways to escape it and it has a long pedigree. It has long been recognised that it can help sell products through the power of the punch line or the visual image. Trade cards appeared as early as...
How can old advertisements be used in the primary classroom?
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Seeing beyond the frame
Teaching History article
History teachers frequently show pupils visual images and often expect pupils to interrogate such images as evidence. But confusions arise and opportunities are missed when pupils do this without guidance on how to ‘read’ the image systematically and how to place it in context. Barbara Ormond gives a detailed account...
Seeing beyond the frame
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The Power of Context: using a visual source
Teaching History article
Drawing on her wealth of experience and expertise in using visual sources in the classroom, in this article Jane Card explores how a single painting, a portrait of Dido Elizabeth Belle Lindsay and her cousin Lady Elizabeth Murray, might form the basis for a sequence of lessons.
Arguing that although highly...
The Power of Context: using a visual source
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What are the reasons for linking art and history?
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content and links may be outdated.
Visual images, paintings, sculpture, photographs, cartoons from past times are important historical sources. Accordingly, Simon Schama embeds visual images and imagery in his historical oeuvre, not primarily as illustration but as a crucial...
What are the reasons for linking art and history?
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Primary History 49: Visual Literacy
Journal
04 Editorial
07 In my view: History and illustration – Quentin Blake (Read article)
08 In my view: Using pictures – John Fines (Read article)
10 History Coordinators’ Dilemmas: Pedagogy and the Visual Image – Tim Lomas
12 Think Bubble: Frozen moments – Peter Vass (Read article)
13 Using feature...
Primary History 49: Visual Literacy
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Local railway history: using visual resources
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated.
Before the 1960s British Rail's spider-web network of railway lines reached every town and thousands of villages. Where you live would have been within a thirty minute journey from a station; scroll down to look at...
Local railway history: using visual resources
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Case Study: Pictorial Recording
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content and links may be outdated.
The innovative use of visual images as communication mode and stimulus to writing is provided by Jan, a teacher on one of the Nuffield courses. Children, and adults, have trouble in making effective...
Case Study: Pictorial Recording
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Think Bubble 49: Frozen moments
Primary History article
Whenever I look at an old sepia photograph or one of those amazing 19th century genre pictures like William Powell Frith's Ramsgate Sands, it is not the immediate images that grab my attention. Although the detail is often remarkable, in the case of Ramsgate Sands the attentive mother gently introducing...
Think Bubble 49: Frozen moments
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Primary History 66
The primary education journal of the Historical Association
This edition of HA's Primary History magazine is free to download via the link at the bottom of the page (individual article links within the page are not free access unless otherwise stated).
For a subscription to Primary History (published termly), plus access to our huge library of high-quality resources...
Primary History 66
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Art and History: Justifying the Links
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content and links may be outdated.
History and Art have been taught as traditional subjects for many years and as cross curricular subjects they compliment each other beautifully. I do not see how we can realistically completely separate them...
Art and History: Justifying the Links
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Practical classroom approaches to the iconography of Irish history or: how far back do we really have to go?
Article
Ben Walsh presents a structured practical activity for teaching pupils about Northern Ireland through the use of murals. The activity can be carried out in Year 9 as part of a study on the twentieth-century world, or as part of a GCSE course. He stresses the importance of an informed...
Practical classroom approaches to the iconography of Irish history or: how far back do we really have to go?
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The International Journal Volume 8 Number 1
Journal
The International Journal of Historical Learning, Teaching and Research [IJHLTR] was founded to provide an international medium for reporting on History Education.
Articles included in this edition:
Editorial: History Education, Identity and Citizenship in the 21st Century, Bahri Ata The Turkish prospective History teachers' understanding of analogy in History education, Isabel...
The International Journal Volume 8 Number 1
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Why can't they just live together happily, Miss?' Unravelling the complexities of the Arab-Israeli conflict at GCSE
Article
How often do our students long for black and white rather than the shades of grey that history generally presents us with? Understanding the Arab-Israeli conflict is all about understanding diversity and complexity in all their shades of grey. Alison Stephen, teaching in an immensely diverse school herself, is determined...
Why can't they just live together happily, Miss?' Unravelling the complexities of the Arab-Israeli conflict at GCSE
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A most horrid malicious bloody flame: using Samuel Pepys to improve Year 8 boys' historical writing
Article
Unusually, instead of moving from a narrative to an analytic structure, David Waters moves his pupils from causal analysis to narrative. By the time pupils are ready to produce their storyboard narrative, their thinking about the Great Fire has been shaped and re-shaped not only by structural exercises and argument...
A most horrid malicious bloody flame: using Samuel Pepys to improve Year 8 boys' historical writing
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Picturing place: what you get may be more than what you see
Article
Pictures abound in history classrooms and teachers use them in many different ways. They add - often literally - some colour to the past, helping us to imagine what different worlds were like. Pictures can be used quite legitimately in this way to fire imagination and stimulate interest. But we...
Picturing place: what you get may be more than what you see
